Ilm al-Badi
- Author died
- 1396 AH
- Editions
- Dar al-Nahdah al-Arabiyyah lil-Tiba'ah wal-Nashr wal-Tawzi'
Ilm al-Badi (The Science of Badi) is a treatise on Arabic rhetorical figures and embellishments written by the Egyptian scholar and literary critic Abd al-Aziz Atiq (d. 1396 AH / 1976 CE) .
Origins and Composition
The work originated as a series of university lectures delivered by Atiq to second-year undergraduate students in the Department of Arabic Language and Literature at Beirut Arab University . It forms part of the author's broader pedagogical series on Arabic rhetoric (balagha), which also includes separate volumes devoted to ilm al-bayan (the science of figurative expression) and ilm al-ma'ani (the science of meanings and syntax) .
Structure and Content
The book is structured into two main parts:
- Historical development of badi: The first section provides a historical survey tracing the origins, evolution, and formalization of ilm al-badi' into an independent discipline . It examines the early intuitive use of rhetorical devices in pre-Islamic poetry, followed by early terminology coined by Abbasid poets such as Muslim ibn al-Walid (d. 208 AH), and theoretical remarks by Al-Jahiz (d. 255 AH) in al-Bayan wa-l-Tabyin . It then chronicles the foundational contributions of Ibn al-Mu'tazz (author of Kitab al-Badi), Qudama ibn Ja'far, Abu Hilal al-Askari, Ibn Rashiq al-Qayrawani, Badr al-Din Ibn Malik, and Diya al-Din Ibn al-Athir, noting how the catalog of rhetorical figures expanded across centuries up to figures like Safi al-Din al-Hilli .
- Core rhetorical devices (muhassinat): The second section analyzes the principal rhetorical figures, divided into two standard classes:
- Semantic embellishments (al-muhassinat al-ma'nawiyya), which primarily beautify the meaning; the author begins with these on the basis that meaning is fundamental while wording serves as its vessel .
- Verbal embellishments (al-muhassinat al-lafziyya), which primarily beautify the phrasing and phonetic delivery .
Method and Perspective
Rather than aiming at an exhaustive compilation of every minor figure cataloged by late medieval rhetoricians—which had multiplied to well over one hundred devices—the author intentionally restricts the scope to the most essential and impactful devices, illustrating each with literary and textual evidence .
Atiq also defends the discipline against contemporary critics who dismissed badi' as superficial ornamentation . He contends that the decline observed in late classical Arabic literature stemmed from writers' overindulgence and forced affectation (takalluf), rather than any intrinsic defect in the science itself, citing Abu Hilal al-Askari's principle that when embellishment remains free of artificiality, it achieves the highest degree of aesthetic excellence .
Publication
The work was published in Beirut by Dar al-Nahda al-Arabiyya .
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