Sima al-Mar'a fi al-Islam bayn al-Nafs wa al-Sura

Author died
1430 AH
Editions
Alwān Maghribiyyah

Sima al-Mar'a fi al-Islam bayn al-Nafs wa al-Sura (The Sign of Woman in Islam: Between the Soul and the Form) is a treatise by the Moroccan scholar Farid al-Ansari (d. 1430 AH / 2009 CE), examining the existential, spiritual, and physical dimensions of womanhood in Islamic thought and analyzing contemporary civilizational debates surrounding women .

Background and Objectives

The author composed the work as a contribution toward rectifying contemporary religious activism, countering political and cultural exploitation regarding women's issues, and presenting a grounded Islamic framework for Muslim women and future generations . He advocates for a corrective movement in women's discourse that rejects distortions and superficial interpretations, elevating the model of female religiosity at the levels of both inner spiritual reality and outward appearance . It was published by Manshurat Alwan Maghribiyya .

Structure and Contents

The book is arranged into an introduction, a conceptual prologue, two main chapters subdivided into thematic sections, and a conclusion :

  • Terminological Introduction (Madkhal Istilahi fi Mafhum al-Sima): Clarifies the Quranic and linguistic concept of sima (sign or symbolic manifestation) in Arabic lexicography, distinguishing it from modern Western semiotic theory while maintaining the shared underlying concept of the communicative sign .
  • Chapter 1: Woman and the Sign of the Soul (al-Mar'a wa-Sima al-Nafs):
    • Section 1: Woman and the Single Soul (al-Mar'a wa al-Nafs al-Wahida) — Addresses the ontological equality of men and women in divine address and their shared responsibility in bearing the universal trust (al-amana) .
    • Section 2: Educational Signifiers of Woman's Psyche (al-Sima al-Tarbawiyya li-Nafsiyyat al-Mar'a) — Outlines three foundational values: the aesthetic of femininity (jamaliyyat al-unutha) as a complementary rather than antagonistic dynamic with masculinity, the prohibition of masculinization (tarajjul) which disrupts this balance, and the aesthetic of motherhood (jamaliyyat al-umuma) and its societal role .
  • Chapter 2: Woman and the Sign of the Form (al-Mar'a wa-Sima al-Sura):
    • Section 1: The Sign of Form in Civilizational Contestation (Sima al-Sura fi al-Tadafu‘ al-Hadari) — Analyzes the external bodily form, clothing, and public presence of women, arguing that outward appearance is not neutral but an active signifier of civilizational affiliation . al-Ansari critiques Western commercial and political exploitation of the female form, tracing modern bodily exposure to pagan roots .
    • Section 2: Juristic Grounding of the Form's Sign in Islam (al-Ta’sil al-Fiqhi li-Sima al-Sura fi al-Islam) — Outlines the legal foundations governing Islamic attire and outward conduct, maintaining that form must serve the soul rather than eclipse it .
  • Conclusion (al-Khatima: Nihaya fa-Bidaya): Summarizes the treatise's key takeaways and offers closing reflections .

Themes and Methodology

al-Ansari approaches the subject through a Quranic perspective, positing that every aspect of creation and religious prescription carries profound purposeful wisdom (hikma) . He rejects the premise that Islamic dress is merely superficial, asserting that outer form invariably reflects inner worldview and spiritual values . In examining the crisis of modernity, he links the commodification of the female body in consumer culture and media to a broader erosion of traditional family structures and Islamic religious identity .

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