Risalat al-Ghufran

Author died
449 AH
Editions
Matbaat (Amin Hindiyya)

Risalat al-Ghufran (The Epistle of Forgiveness) is a classic work of Arabic prose written by the poet and philosopher Abu al-Ala al-Ma'arri (d. 449 AH / 1057 CE) as a fictional journey through the afterlife combined with literary and theological commentary .

Composition and Occasion

Al-Ma'arri composed the epistle around 424 AH / 1033 CE, during the reign of the second Mirdasid ruler, Nasr ibn Salih (Shibl al-Dawla) . It was written in response to a letter sent to him by Ali ibn Mansur ibn Talib al-Halabi, known as Ibn al-Qarih (also nicknamed Dawkhalah), a hadith scholar and grammarian from Aleppo . In his letter, Ibn al-Qarih complained of aging, illness, and hardship, sought assistance, raised grammatical and linguistic queries, and denounced various poets and literary figures as heretics (zanadiqa) . Al-Ma'arri framed his reply as an elaborate narrative blending earnest scholarly critique with irony and satire .

Structure and Content

The work extends to roughly two hundred large-format pages and is divided into two main parts :

  • The Otherworldly Journey: Al-Ma'arri imagines the deceased Ibn al-Qarih navigating the Day of Resurrection, the gathering, and the crossing of the Sirat into Paradise . The narrative draws upon the Quran, Hadith, tafsir, and the literature of the Prophet's ascension (al-Isra wal-Mi'raj) . Ibn al-Qarih encounters pre-Islamic and early Islamic poets in Paradise—such as al-Hutay'ah—and repeatedly asks them what caused God to forgive them, which gave the work its title . His travels take him through the gardens of the jinn (Jannat al-Afarit) and the poets of rajaz (Jannat al-Rujjaz), followed by an excursion toward Hell, where he views Iblis, Bashshar ibn Burd, Imru' al-Qays, and others enduring punishment, engaging them in dialogues on poetry, language, and theology before returning to the perpetual bliss of Paradise .
  • The Critical Reply: The second part directly addresses the inquiries and accusations contained in Ibn al-Qarih's original message . Al-Ma'arri praises Ibn al-Qarih, examines the anxieties and craft of the literary profession, discusses heresy (zandaqa), defends al-Mutanabbi against charges of impiety, and addresses questions of Arabic grammar, morphology, and rare vocabulary .

Reception and Influence

Risalat al-Ghufran drew diverse reactions from biographers and modern scholars. The biographer Shams al-Din al-Dhahabi described the work as a single volume containing "Mazdakism and levity" (mazdakah wa-stikhfaf), reflecting traditional discomfort with its satirical treatment of religious concepts and its lenient portrayal of forgiven poets .

In modern comparative literature, scholars have extensively discussed parallels between the visionary journey of Risalat al-Ghufran and European works depicting the afterlife, particularly the Divine Comedy of Dante Alighieri . While some researchers argued for direct or indirect Arabic influence on Dante, others maintained that the resemblances stem from independent imagination or shared classical and religious eschatological traditions .

Manuscripts and Editions

Manuscripts of Risalat al-Ghufran are preserved in institutions such as the Khedivial Library in Cairo and the Köprülü Library in Istanbul . It was published in Egypt in 1907 with corrections by Ibrahim al-Yaziji (213 pages), and later appeared in an edition printed by Amin Hindiyyah as well as a critical edition edited by Aisha Abd al-Rahman (Bint al-Shati') and published by Dar al-Ma'arif .

Answer updated