Dar al-Tiraz fi Amal al-Muwashshahat
- Author died
- 608 AH
- Editions
- Dar Al Fikr
Dar al-Tiraz fi Amal al-Muwashshahat (The House of Embroidery on the Art of Muwashshahat) is a 6th-century AH treatise and anthology on the rules, prosodic structure, and composition of the strophic poetry known as the muwashshah, written by the Egyptian poet and critic Ibn Sana al-Mulk (d. 608 AH / 1211–1212 CE) .
Purpose and Scope
While the muwashshah originated in al-Andalus and flourished there under masters such as Ubadah ibn Ma al-Sama, al-A'ma al-Tutili, and Ibn Baqi, early Andalusian poets did not compile dedicated manuals detailing its technical foundations . Ibn Sana al-Mulk authored Dar al-Tiraz to codify the art, establish its formal rules, explain its meters, and provide representative models, thereby becoming the foremost theoretician to systemize muwashshah poetics across both the Mashriq and the Maghrib .
Structure and Contents
The work consists of an extensive theoretical introduction followed by two main anthological sections :
- Theoretical Introduction: Composed in ornate rhymed prose (saj'), this section outlines the anatomy and rules of the muwashshah . Ibn Sana al-Mulk defines key components: the opening strophe (matla'), the recurring thematic refrains (qufl), the intervening stanzas (bayt or ghusn), and the concluding refrain (kharja) . He classifies poems that open with a qufl as complete (tamm) and those that omit it as headless (aqra'), while setting out rules governing the internal rhyme schemes, subdivisions, and prosody of the forms .
- The Andalusian Muwashshahat: The first practical section collects thirty-four Andalusian (Maghribi) muwashshahat, arranged to illustrate the theoretical rules and structural varieties detailed in the introduction .
- The Author's Compositions: The second section features thirty-five muwashshahat authored by Ibn Sana al-Mulk himself, patterned directly after the Andalusian examples in the preceding section . Among these are panegyrics dedicated to al-Afdal Ali ibn Salah al-Din, who ruled Egypt in 595–596 AH .
Reception and Scholarship
Biographers such as Ibn Khallikan loosely designated the book as a diwan consisting entirely of muwashshahat, though later scholars noted that this overlooked its foundational critical essay . Later critics like Salah al-Din al-Safadi relied heavily on its structural definitions in works such as Tawshi' al-Tawshih .
In modern scholarship, the introduction was translated into German by the orientalist Martin Hartmann in his study Das Muwaššaḥ . The complete work was critically edited by Jawdat al-Rikabi and published in Damascus .
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