Author died
378 AH
Editions
al-Tuhaf wa al-Zuraf

al-Tuhaf wa al-Zuraf (The Rare Gifts and Elegance) is an Arabic literary and poetic work composed by the scribe Muhammad ibn Ahmad al-Tamimi al-Darimi (d. 378 AH / 988 CE), featuring figurative verses, calligrams, and embedded religious, ethical, and medical maxims.

Background and Purpose

The author, Muhammad ibn Ahmad ibn Abd al-Mughith ibn Muhammad ibn Ibrahim ibn Muhammad al-Tamimi al-Darimi al-Katib, composed the work in response to an epistle requesting a collection of strophic poetry (al-shi‘r al-muwashshah) and shaped verse designed in the form of cypresses and trees. Al-Darimi observed that earlier authors had largely neglected this particular craft, and he set out to compile a concise book incorporating visual designs that could be read from multiple angles as standalone verse.

Structure and Content

The text integrates literary devices, popular proverbs, debates, anecdotes, and well-known prophetic traditions into visual illustrations representing wild animals, birds, cypresses, and branching trees. These figurative poems contain secondary texts inscribed within their lines in red ink.

In the preserved recension edited by the copyist Muhammad ibn Khasbek al-Ashrafi, the scattered internal texts were extracted and organized into seven thematic chapters to facilitate reading:

  1. Chapter One: Interpretation of selected Quranic verses (fi tafsir ba‘d ayat min al-Qur’an al-‘Azim).
  2. Chapter Two: Selected prophetic hadiths (fima warada min al-hadith al-sharif).
  3. Chapter Three: Traditions of the early generations (fima warada min al-athar al-manif).
  4. Chapter Four: Tender admonitions (fi al-mawa‘iz al-raqiqah).
  5. Chapter Five: Aphorisms and wisdom sayings (fi al-hikam al-aniqah).
  6. Chapter Six: Medical advice and health observations (fi al-tibb al-latif).
  7. Chapter Seven: Subtle witty remarks and anecdotes (fi al-nukat al-daqiqah).

Transmission and Manuscripts

The transmission of the text is documented through the account of the copyist Muhammad ibn Khasbek al-Ashrafi, who collated two different manuscript traditions of the work:

  • An illustrated copy dated 8 Dhu al-Hijjah 598 AH, which recorded that it had been transcribed from a worn prototype completed in Rajab 378 AH. This version contained 18 tree-shaped poems (ash‘ar mushajjarah) and 16 expanded broken-form poems (ash‘ar maksurah mabsutah), alongside illustrations of animals and birds.
  • A second copy preserved in the royal treasury of the Rasulid dynasty of Yemen, which contained the thematic poetry but omitted the drawings of beasts, birds, and tree calligrams.

Upon collation, the two manuscripts shared 36 poems in common, with 112 unique poems in the first exemplar and 110 unique poems in the Rasulid exemplar.

Answer updated