al-Tiraz li-Asrar al-Balagha wa Ulum Haqaiq al-Ijaz
- Author died
- 745 AH
- Editions
- المكتبة العنصرية
al-Tiraz li-Asrar al-Balagha wa Ulum Haqaiq al-Ijaz (The Embroidery Containing the Secrets of Rhetoric and the Sciences of the Realities of Inimitability) is a comprehensive treatise on Arabic rhetoric and Quranic inimitability (i'jaz) by the Yemeni Zaydi scholar al-Muayyad bi-llah Yahya ibn Hamza al-Alawi (d. 745 AH / 1344 CE; also reported as 749 AH and 705 AH) .
Composition and Purpose
Yahya ibn Hamza composed the work after a circle of students read the Quranic commentary al-Kashshaf by al-Zamakhshari under his guidance . Recognizing that al-Kashshaf was constructed upon the rules of rhetoric to reveal the inimitability of the Quran and distinguish correct interpretations from flawed ones, his students asked him to dictate a treatise organizing the discipline through linguistic refinement and conceptual investigation . The author articulated the ultimate objective of the book as religious: to comprehend the inimitability of the Quran and the miraculous proof of the Prophet ﷺ through mastery of Arabic eloquence and rhetorical devices .
Structure
The treatise is organized into three overarching parts (funun), moving from foundational premises to core disciplines and culminating in theological applications :
- The First Discipline (al-Fann al-Awwal): Contains five introductory treatises (muqaddimat) addressing the nature, subject, and utility of rhetorical science, the definitions and distinction between rhetoric (balagha) and eloquence (fasaha), and literal truth versus figurative language (al-haqiqa wa al-majaz) .
- The Second Discipline (al-Fann al-Thani): Comprises the primary core (al-maqasid), systematically examining the three traditional branches of rhetoric: word order and semantics (ilm al-ma'ani), figures of signification and tropes (ilm al-bayan, including simile, metaphor, and metonymy), and embellishments (ilm al-badi') .
- The Third Discipline (al-Fann al-Thalith): Serves as a complement (takmila), examining the supreme eloquence of the Quran, the proofs of its inimitability (i'jaz), the diverse scholarly opinions on the facets of i'jaz, and the author's preferred theological and rhetorical conclusions .
Sources and Methodology
In his introduction, Yahya ibn Hamza praised Abd al-Qahir al-Jurjani as the founding architect of rhetorical theory, though he noted that he did not possess Jurjani's foundational works Dala'il al-Ijaz and Asrar al-Balagha directly, knowing them only through citations in later writings . He explicitly listed only four major rhetorical sources available to him in Yemen:
- al-Mathal al-Sa'ir by Diya' al-Din Ibn al-Athir
- al-Tibyan fi Ilm al-Bayan by Ibn al-Zamlakani
- Nihayat al-Ijaz fi Dirayat al-Ijaz by Fakhr al-Din al-Razi
- al-Misbah fi al-Ma'ani wa al-Bayan wa al-Badi' by Badr al-Din Ibn Malik
Methodologically, the author positioned the work between the extremes of excessive elaboration and deficient brevity . Modern scholars observe that while the book incorporates the systematic categorization of al-Sakkaki and al-Razi, it largely attempts to emulate the literary and analytical orientation of Ibn al-Athir, distinguishing itself through abundant poetic and Quranic textual analysis rather than purely abstract logical formulas .
Reception and Editions
The book is recognized among later scholars and modern literary historians as one of the most prominent witnesses to rhetorical scholarship in the Arabian Peninsula during its era . While al-Shawkani listed it as a two-volume work in his biographical entry on the author, published print editions have typically appeared in three volumes . Notable printings include the 1914 Cairo edition issued under the auspices of Dar al-Kutub al-Misriyya and corrected by Sayyid bin Ali al-Marsafi, as well as several subsequent critical editions .
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