al-Maqal wa Tatawwuruhu fi al-Adab al-Muasir
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al-Maqal wa Tatawwuruhu fi al-Adab al-Muasir (The Essay and Its Development in Contemporary Literature) is a critical and historical study of the Arabic essay by the Egyptian literary scholar al-Sayyid Mursi Abu Zikri . Published in 1982 by Dar al-Maarif in Alexandria, the work examines the origins of essayistic writing in classical Arabic prose, its emergence and evolution in the modern era under the influence of journalism, its diverse stylistic forms, and its role in treating major intellectual debates .
Purpose and Scope
Abu Zikri composed the book to provide a detailed and precise portrayal of the essay as an independent literary genre competing with other art forms in modern Arabic literature . The study traces proto-essayistic forms in classical prose, follows the stages of the modern essay's growth alongside the Arabic press, and surveys the contributions of prominent figures across various specialized styles . It also highlights how essays shaped Arab—and specifically Egyptian—public consciousness around key cultural and political issues before and after the 1919 Revolution, while analyzing related journalistic forms such as the column, the reflection, and the caricature .
Structure and Contents
The book is organized into an introduction, three main parts comprising fifteen chapters, and a conclusion :
- Part One: The Essay and Its Development (المقال وتطوره) covers the historical trajectory and theoretical foundations of the genre in four chapters . The first chapter identifies classical Arabic precursors to the essay, examining texts by al-Hasan al-Basri, Abd al-Hamid al-Katib, Ibn al-Muqaffa, al-Jahiz, Ibn Qutaybah, Abu Hayyan al-Tawhidi, Ikhwan al-Safa, and Ibn Khaldun . The second chapter explores early European developments (notably Michel de Montaigne and Francis Bacon) before detailing five developmental stages of the essay in modern Arabic literature and the role of periodicals in enriching language and prose . The third chapter addresses definitions, structural components, and classifications based on tone and approach (such as subjective, social, descriptive, literary, and scientific) . The fourth chapter reviews published books that compiled articles previously scattered across various newspapers .
- Part Two: Diversity of Essay Styles (تنوع أساليب المقال) spans eight chapters analyzing distinct stylistic categories and their primary representatives :
- Linguistic style, highlighting Ahmad Faris al-Shidyaq, Ibrahim al-Yaziji, and Muhammad Ibrahim al-Muwaylihi .
- Social reform style, featuring Abd al-Rahman al-Kawakibi, Qasim Amin, and Wali al-Din Yakan .
- Religious style, discussing Muhammad Abduh, Ali Yusuf, Shakib Arslan, and Ahmad Amin .
- Scientific style, examining Yaqub Sarruf, Ahmad Zaki, and Salama Musa .
- Literary and artistic style, presenting Mustafa Lutfi al-Manfaluti, Mustafa Sadiq al-Rafi'i, Gibran Khalil Gibran, Ahmad Hasan al-Zayyat, Abbas Mahmud al-Aqqad, Taha Hussein, Omar Fakhoury, and Mayy Ziyadah .
- Philosophical style, focusing on Ahmad Lutfi al-Sayyid, Ali Adham, and Zaki Naguib Mahmoud .
- Political style, addressing Abd al-Qadir Hamza, Amin al-Rafi'i, Muhammad Husayn Haykal, Muhammad al-Tabi'i, and Fikri Abaza .
- Satirical style, covering Muhammad al-Siba'i, Abd al-Aziz al-Bishri, Husayn Shafiq al-Misri, and Ibrahim Abd al-Qadir al-Mazini .
- Part Three: The Essay in Contemporary Newspapers (المقال في الصحف المعاصرة) consists of three chapters . The first chapter evaluates the essay's engagement with major intellectual controversies, including the woman question, the reception of Ali Abd al-Raziq's al-Islam wa Usul al-Hukm, debates surrounding Taha Hussein's Fi al-Shi'r al-Jahili, and responses to missionary activities . The second chapter examines the contemporary journalistic essay and its functions in exposition, critique, and ideological dispute . The third chapter details modern daily newspaper features related to the essay, analyzing regular signed columns, the brief personal reflection (al-khatirah), the concise conceptual reflection (al-fikrah, as popularized by Ali Amin and Mustafa Amin), and editorial caricature .
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