al-Majmu al-Latif
- Author died
- 516 AH
- Editions
- Dār al-Gharb al-Islāmī
al-Majmu‘ al-Lafif (The Assorted Anthology) is an Arabic literary and cultural miscellany compiled by the genealogist, judge, and poet Amin al-Dawla Muhammad ibn Muhammad ibn Hibat Allah al-Husayni al-Aftasi (d. 518 AH / 1124 CE; other reports give 510, 515, or 517 AH) . The work gathers a wide range of rarities, literary excerpts, historical anecdotes, and linguistic and religious benefits .
Structure and Scope
True to its title (al-Lafif, denoting a diverse blend), the book is arranged without a strict thematic schema or structured chapter divisions, presenting items from various disciplines in an unsystematic order to engage the reader and prevent fatigue . The length of entries varies widely, ranging from single-line aphorisms to multi-page treatises, sermons, and travel narratives .
The scope of the anthology encompasses:
- Religious and Legal Sciences: Selected commentary on Quranic verses, Prophetic hadiths, legal rulings, and ascetic exhortations .
- History and Lore: Accounts of the early caliphs, the Umayyads, and the Abbasids, as well as citations concerning ancient nations, the Pharaohs, Nimrods, and biblical passages from the Torah and Gospel .
- Ethnography and Society: Genealogies of Arab tribes, the origins of peoples such as the Daylam and Kurds, anecdotes of desert Arabs (a‘rab), stories of love, and notes on notable physical traits and figures .
- Natural Lore and Geography: Discussions on the names of stars, astronomical mansions, Arab volcanic tracts (hirar), mountains, gems, pearl diving, folk beliefs, and medicinal remedies .
Poetry and Sources
A prominent feature of the anthology is its poetic richness, comprising more than 1,900 verses of poetry spanning classical and post-classical periods . Alongside well-known poets, it includes verses by obscure and anonymous authors, women poets, and Bedouins whose collections have otherwise not survived . The anthology also preserves textual fragments and citations extracted from earlier classical works that are now lost .
Manuscripts and Publication
A primary manuscript witness of the work is preserved in the Bibliothèque nationale de France in Paris . Its title page states that the copy was produced for a royal treasury (al-khizana al-ma‘mura al-sultaniyya) from the author's personal exemplar .
The work has been published in modern editions, including an edition prepared by Ibrahim al-Samarra'i (Dar ‘Ammar, 1407 AH / 1987 CE) and another edited by Yahya Wahib al-Juburi (Dar al-Gharb al-Islami, Beirut, 1425 AH / 2004 CE) .
Answer updated